Lincoln Center Theater Review

			South Pacific Spring 2008, Issue 45 Theater at its best transports an audience into another time and space. To create such a world requires vision and imagination from a range of artists that may surprise those who sit on the other side of the footlights.
			Cymbeline Fall 2007, Issue 44 Cymbeline is one of Shakespeare's best-kept secrets-epic, magical, redemptive. The play, we found, is, little known, so we sought out authors for this issue whose reflections would introduce our readers to this great work.
			The Coast of Utopia Fall 2006, Issue 43 Tom Stoppard's epic trilogy The Coast of Utopia, a deeply compelling drama of passion, politics and betrayal, chronicles the lives of the Russian dissident gentry who catalyzed the transformation of tsarist Russia. For this issue, we sought passionate, witty and insightful writers who could illuminate the beauty, complexity and resounding humanity of Voyage, Shipwreck and Salvage.
			Awake and Sing! Spring 2006, Issue 42 In this special, expanded edition of the Lincoln Center Theater Review, we bring you a portrait of the playwright Clifford Odets as revealed through his own words and those of his friends, his admirers, his competitors, his son.
			Bernarda Alba Winter 2006, Issue 41 The raw power and lament of Federico García Lorca's writing, the unabashed passion and plaintive music of his words, demand nothing less than a personal response from all who encounter them.
			Dessa Rose and The Light in the Piazza Spring 2005, Issue 40 The happy accident of two new musicals this season at Lincoln Center Theater--Dessa Rose and The Light in the Piazza--gives us the unusual opportunity to present you with a powerhouse issue celebrating the need, the art and mystery of storytelling.
			Belle Epoque Fall 2004, Issue 39 With this issue of the Lincoln Center Theater Review, we welcome the charismatic dance-theater pioneer Martha Clarke and her gifted collaborators to the Mitzi Newhouse Theater.
			The Frogs Summer 2004, Issue 38
			King Lear Spring 2004, Issue 37 Passionate, comic, urgent, contrary, generous: the chorus of voices in this issue of the Lincoln Center Theater Review demonstrates the fantastic complexity to be found in King Lear, the play that completes our season of Shakespeare in the Beaumont Theater.
			Henry IV Fall 2003, Issue 36 Henry IV reverberates mightily with the cost of our political, ethical, and social choices... The price of successionof kingship and fatherhood; the price of betrayal, rejection, and rebellion is in powerful evidence on the Lincoln Center Theater stage this season in Dakin Matthewss bold adaptation of Henry IV.
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